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Robert Adams – A Road Through Shore Pine

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In A Road Through Shore Pine, Adams traces a contemplative journey, first by automobile, then by foot, along an isolated, tree-bordered road to the sea. As presented through Adams’s 11 × 14-inch prints, the passage takes on the quality of metaphor, suggestive of life’s most meaningful journeys, especially its final ones. For this group of photographs, all of which were printed by Adams himself, the artist returned to the use of a medium-format camera, allowing the depiction of an intense amount of detail. Through experience gathered over more than four decades, Adams’s trees, especially the tips of their leaves, are etched with singular sensitivity to the subtleties and meanings of light.

Adams writes of these photographs, “The road is one that my family traveled often and fondly. Many of its members are gone now, and Kerstin and I visit the road for the example of the trees.” Adams had stored this work in an archival print box on which he inscribed in pencil a line from the journal of the Greek poet George Seferis, “A marvelous road, enough to make you weep; pine trees, pine trees…” – Fraenkel Gallery

Links

Robert Adams – Fraenkel Gallery

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Al Brydon – As We Wander…

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Walking, watching, reacting…

One day you’ll make the last photograph you will ever make.

The shutter will fire for the last time. What will your last ever photograph mean? Surely, as it’s the last one, it will be special? You probably won’t know. Unless it’s a conscious decision, you won’t be around to see it. Maybe no one ever will ever see it.

It’s most likely that the landscape I’m inhabiting will still be there long after I’m gone. I’m trying to comprehend this. The massive amount of time during which its contours are moulded by both natural and unnatural manipulation.

I find it extremely comforting to know that after I’ve made my last photograph of the landscape it will continue to exist. It will change as nature claims it and humankind alters it.

‘As We Wander’ is about the solidity of my surroundings and my own fluidity. I am a visitor for an all too brief time. I will end. You will end. The landscape will remain. – Al Brydon

All Images ©Al Brydon

Links

Al Brydon

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‘As We Wander’ is now currently available for pre-order through Another Place Magazine

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Daido Moriyama – Tights and Lips

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The Tights – with their stark, abstracted lines – stand apart from his grainy, chiaroscuro street photography. Yet the sentiment behind the pictures is the same: a desire to observe and preserve the everyday details that are so often overlooked. He sees things we don’t see. So much so that with many of the Tights pictures it is not immediately clear what one is looking at – until you notice the soft curve of the thigh, the slender ankle or the inconspicuous line of the white knickers. The images are erotic and dramatic in their subtlety.

This series will be accompanied by a grid of another group of photographs of lips. Moriyama to the max: we see a face staring from the page of a discarded newspaper, the glossy lips of a billboard model, a woman’s profile reflected in a train window. As always, he captures the palpable energy of the places he frequents. The photographs pieced together serve as the fragments of an obsessive mind, as if Moriyama wants to create his own private reality. Although often claustrophobically cropped, his images always pull the viewer in, and we find ourselves a part of this solitary, wayward expedition. His pictures come together to form a cohesive story of many times and many faces – a mad journey across decades in search of peace, forgiveness, and recovery; in search of Japan. – Michael Hoppen Gallery

Bio

Daido Moriyama (Japanese, b.1938) is a prolific Japanese artist, well-known as a photographer, graphic designer, and writer. Moriyama was born in Ikeda City, Osaka, Japan. He studied photography at the Takeji Iwamiya studio in Osaka before moving to Tokyo in 1961 to meet the members of VIVO. Moriyama became an assistant to Eikoh Hosoe, and gained access to the Tokyo photo world through this position. – Artnet

Links

Daido Moriyama

Michael Hoppen Gallery